As those who have read this blog in the past know, I consider entertainment to be very important in our culture. It’s important because much of what people want to do comes down to being entertained—watching TV, movies, and sports, playing games, amusing themselves online, going out to eat, drink, and party, etc., etc. In that sense, although we are unlikely to put it in this way, entertainment seems to operate for many of us as the very purpose of life.
Entertainment is also important because our lust to be entertained infects many areas of life that aren’t in themselves entertaining—we want our food and our cars and our politicians and our classes and our friends to be entertaining, just for starters. The result is that certain kinds of products and activities—for example, an honest and competent, but ugly and boring politician—tend to disappear.
In a number of recent posts, I have been trying to point out another aspect of the importance of entertainment—entertainment can only flourish in a particular sort of cultural environment. Whether it’s a strange coincidence or not, the mass entertainments of the turn of the 20th century (motion pictures, followed by radio and TV) were accompanied by new ways of thinking about people and values. At this time there was a growing emphasis on the importance of people being amusing and being able to create a good first impression, and there emerged a new flexibility about moral values. Above all, this is the period when it began to be widely accepted that the possibilities of fulfillment and self-realization opened up life’s most important quests. And what better way to find fulfillment than in entertaining activities and the acquisition of the flood of consumer goods that was starting to appear around this time?
I don’t claim that entertainment caused all these things, but I do claim that they all emerged in our culture at roughly the same time—around the turn of the 20th century. As I pointed out last time, that’s also the time period in which an increasingly vocal protest started to emerge against this culture of entertainment, a protest that usually took the form of religious fundamentalism.
So, what’s the point? Is entertainment good or bad? The point has nothing to do with entertainment being good or bad. Sure, there are social problems that are associated with entertainment; here are a few possibilities that come immediately to mind: childhood obesity, addiction, political polarization, widespread boredom. I’ve discussed all of these in this space.
But there are lots of good things associated with entertainment as well: tolerance of diversity, effective communication, and–can’t forget this–it’s fun. In the end, the point isn’t to pass judgment on our culture of entertainment, it’s to better understand that culture. Because we are more likely to be able to control what we understand. And what we don’t understand is more likely to control us.

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There’s an informative exchange on this post at Psychology Today:
http://www.psychologytoday.com/blog/sex-drugs-and-boredom/201003/is-entertainment-bad-you
One of my readers takes me to task a bit for not be willing to criticize television viewing. Whether one agrees with him, or with me, he includes lots of interesting links on that argument, so it’s a useful resource for anyone interested in this topic.